Gawvi Interview

Gawvi Interview

Gawvi stepped onto the music scene and through hard work and determination earned a name for himself. I was ecstatic when I learned that I would have the opportunity to participate in an interview with the producer/DJ extraordinaire.

A quiet whir sounded as I dialed into the conference, I stated my name and cordially chatted with others on the line with anticipation of the famed musician to join the call. At last he entered the call and a brief nervous silence was broken by his introduction. Right away, my nerves were eased as I listened to Gawvi’s calming voice. He thanked us for being there and we thanked him as well.

After the introductions were over, we began asking our questions.

He began by describing how his cultural roots helped to shape and guide his music career. He said that being Dominican and Salvadorian, and having grown up in both South Florida and New York, he made friends of all backgrounds. This cultural melting pot, so to say, helped him to realize his goal of creating a world wide sound while simultaneously incorporating his latin roots. In addition to his sheer love of music, his sister was one of the first people to really encourage him to build his own unique sound. Her brutal honesty was a major key in helping Gawvi develop the music he is known for now.

Before Gawvi began writing and producing his own music, he began first by producing other people’s music. I asked Gawvi how he thought it was different. After Gawvi paused for a moment, he started describing to me his opinion. He went on to say that in being a producer he is helping others with their vision, catering to their wants and whimsies. However, he said that when he works on his own music, he has the artistic freedom to develop the message of his music along with the vision. He also finds it easier to produce his own music because of how strongly he envisions things for himself in his mind. In using this question as a leaping off point, Gawvi explained, after prompted, how he is able to continue coming up with new sounds. Gawvi stated in agreement, “people have so much access to music now, it’s hard to have much innovation.” He then elaborated saying, “I do believe in creating something new from something that was already created.” He told us that he often times would listen to the radio, hear a beat, and think to himself how he would’ve done it differently. Then it is back to the studio where he further develops a beat or loop to the point where it becomes his own unique style. As far as lyrics, he says that the majority of his lyrics come from everyday life. They come from his faith, family, struggles and experiences. He also said that with his lyrics, he hopes to spread a message similar to one of his role models, DJ Khaled. He says that “I’m trying to bring a great positive message every single time I release music.” Gawvi also reiterates that “whenever people listen to [his] music, [he] hope[s] they can leave with hope.”

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When asked what advice he would give to young musicians who are just starting out, he gave a simple two word answer: “have passion.” Gawvi went further to say “when I was younger, I would literally make five beats a day. Even if they were just garbage, I still had a complete five beats a day. I was eating and breathing and sleeping music, nonstop.” Some other personal advice he said was “I surrounded myself with people I looked up to and I surrounded myself with people who wanted to do the same thing as me.” Gawvi spent some time trying to impress the fact that young musicians absolutely must have passion in order to even survive in the music industry.

Bouncing off of the range of serious questions that were being asked, I decided to ask some fun questions. When I asked what the craziest thing that has happened to him during his career was, he responded with a suspenseful tale of one time at a meet and greet an excited fan grabbed his butt and ran away. After sharing a laugh at that one, I asked one final question of paramount importance. “What is your favorite color?” I wasn’t sure what to expect when I asked, but the response I received was great either way. Gawvi said that he actually didn’t have a favorite color because he associated favorite colors with an obsession with the color. Satisfied with the answer, I thanked Gawvi for doing the interview and he thanked everyone else. Then came the click and silence.

I am very grateful to have had the opportunity to interview such an influential and down to Earth artist such as Gawvi. I learned a lot about the musician including how kind and genuine he really was. I really enjoyed interviewing Gawvi and thank him for cooperating for the interview.

Selena Gomez Bio

Selena Gomez Bio

“Do you have an auxiliary cord?” the grown-up tween idol asked her driver on a recent Monday afternoon, queuing up a Spotify playlist (“It’s kind of all over the place”) and reaching into the front seat to crank the volume on a Christian rock song. One Direction, Nicki Minaj and the indie group Chromatics followed.Ms. Gomez, like seemingly every other 23-year-old in the country, scrolled inattentively through Instagram and agreed to order sushi via an app as she rapped along to Drake under her breath (“Trigger fingers turn to Twitter fingers …”).

If she hadn’t recalled her stint, at the age of 7, on “Barney & Friends,” it was almost possible to forget Ms. Gomez’s child star bona fides: four seasons of a popular Disney show, “Wizards of Waverly Place”; four studio albums under the company’s music arm, Hollywood Records; and a soul-draining teen romance saga with Justin Bieber. But that’s all in her past now — sort of.

In an attempt to declare her rebirth as an independent, confident adult woman, Ms. Gomez will release “Revival,” her first album for Interscope, on Oct. 9. Yet while the music’s thematic awakenings (personal, professional, sexual) are meant to supplant her previous personas — tidily packaged goody-goody in her work, baby bird with broken wings in the tabloids — the songs are also savvily exploiting those same public stories and preconceptions. As Ms. Gomez sings on the album’s opener: “What I’ve learned is so vital/More than just survival/This is my revival.”

The risk, however, is getting bogged down in past associations that threaten to eclipse her obvious growth as a performer. So Ms. Gomez must mine her experiences while trying to avoid a pop star identity that’s only refracted through others, be it Mr. Bieber or Taylor Swift, her longtime industry BFF who also sought in recent years to own the ugly chatter about her relationships with a new sense of agency and emphasis on female friendship.

The run-up to the album had to be carefully considered: The lead single, “Good for You,” featuring a sly verse from ASAP Rocky, is a statement of self-worth and sexual power as breathy come-on, conjuring none of Ms. Gomez’s ghosts. Only after its unexpected summer success — the mid-tempo song recently hit No. 1 on Billboard’s pop chart and landed at No. 5 on the Hot 100 — did Interscope release the more obvious single “Same Old Love,” a defiant but wounded kiss-off about a trampled heart.

While she plans to address her past, she is hyper-aware of how she has been perceived. “It’s all part of my story,” Ms. Gomez said while not quite relaxing in a Beverly Hills hotel suite before boarding the S.U.V. to rehearsal. “I’m growing and changing. I was in a relationship, and I was being managed by my parents, and I was still under Hollywood and Disney, and I was being held to this expectation of being the good girl.” She continued: “I knew deep down that this wasn’t what I wanted to do — being exhausted of forcing something that wasn’t right, even in my personal life. I had to have moments where I was crying and I was like, ‘Why am I not in love with what I do?’ I was forced to get very uncomfortable for a while in order to make the decisions I made.

Poised without seeming robotic, Ms. Gomez can also be a ball of nerves, making her perhaps the most earthbound of her generation’s Disney graduates (Miley Cyrus, Demi Lovato). She said she is prone to overthinking, endures episodes of “angst” and is extra-sensitive to uncomfortable situations. (“Had major anxiety at the airport,” she tweeted recently to more than 32 million followers. “Not feeling good at all.”)

Years of paparazzi attention and interest in her barely pubescent love life contributed to the guarded uneasiness just under her shimmery surface. Ms. Gomez recalled thinking: “I need my work to just outshine all of this because the noise is driving me crazy, and it’s preventing me from leaving my home. When I walk into a place and people look at me, they don’t see an artist.” Still, she took to a new path tentatively. Rather than shattering her Disney halo and leaving loyal fans, known as “Selenators,” behind, Ms. Gomez matured in fits and starts, always referencing her past eras.

Before signing with Interscope in December 2014, Ms. Gomez took a bigger stride toward independence with a final, contract-fulfilling single for Disney. “The Heart Wants What It Wants” begins with a tearful monologue and addresses her relationship with Mr. Bieber all but explicitly.“My public life was doing all the speaking for me, for a moment,” Ms. Gomez said. While the gossip press “made it their mission to make me seem meek and small,” she added, “I translated that into my music.”

Her openness carried over to sessions for “Revival.” Along with producers and songwriters of the moment (the Max Martin acolytes Mattman & Robin, Hit-Boy, Benny Blanco), Ms. Gomez, who is listed as executive producer and has writing credits on six songs, worked with a slew of young women, including Charli XCX (“Same Old Love”), Julia Michaels (“Revival,” “Good for You”) and Chloe Angelides (the is-it-Bieber anthem “Sober”).

Justin Tranter, another “Revival” songwriter, said that Ms. Gomez was realistic about playing into the gossip. “Those questions do come up while writing,” he said. “Of course we don’t want everything to feel like it’s feeding into the tabloids, but also we need the song to win. She’s smart enough to know that.”

The release of “Revival” happens to coincide, for better or worse, with the re-emergence of a humbled Mr. Bieber, who faces a similar dilemma with a new album due Nov. 13. Asked recently by Ellen DeGeneres if his new single, “What Do You Mean?,” is about Ms. Gomez, he could only fidget and grimace. (Mr. Janick acknowledged the promotional overlap but added, “We’re not exploiting it in any way.”) While avoiding speaking Mr. Bieber’s name, Ms. Gomez said she was heartened by their parallel successes. “While people were writing that I was stupid for being in it, this is what I always saw in him,” she said. “I’m like, duh!”

Ms. Gomez is careful now to balance her camera-ready self with a more low-key version. Last month, she gamely posed with Ms. Swift’s girl gang of models and actresses at the MTV Video Music Awards. “Taylor is a lot more trusting than I am,” she said. “I have trust issues, given my situation. She’s very open, so she brings out this other side of me.” But after a night among starlets, Ms. Gomez returned home to the celebrity suburb of Calabasas, to eat cookies with her two roommates (a realtor and a nonprofit employee.)

“In the last two years, I’ve seen Selena start to make her career her own,” Ms. Swift said. “She’s separated her opinion out and prioritized it above anyone else’s. Her childhood was defined by working hard, with the major business decisions primarily being made by others. The coolest part of watching her grow up has been seeing her gradually take the creative reins and start to steer the ship.”

Ms. Gomez said she’s getting used to the autonomy. “I definitely remind myself that I’m in control,” she said. “I feel like ultimately if I sit down and I think about a decision I need to make, it’s really within myself. I make the decision. Everything goes through me.”

Ray Goren Bio

Ray Goren Bio

Ray is a singer and multi-instrumentalist who started playing piano and guitar and writing his own music before the age of seven. ‘Songs For You’ is a five-song EP he recorded which was produced by Grammy Award-winning artist Steve Jordan, a highly respected musician, producer and writer who has worked with Keith Richards, Beyonce, John Mayer, Bob Dylan, Alicia Keys, Kelly Clarkson and many others.

Jordan commented about Ray: “I’ve worked with a ton of great and legendary musicians in my career and Ray is one of the most gifted artists I’ve ever witnessed. The fact that he is so good, at this age, just blows my mind. Between his guitar and piano playing, songwriting and singing, he is a special talent.”

Songs For You is comprised of four original tracks, “Those Days,” “Down & Out,” “Song For Me,” and “It’s On You” as well as Ray’s sultry cover of “Light My Fire.” The lead single, “Those Days” is a bouncing, piano driven tune with influences of gospel, funk and 60’s soul and is about how Ray sees the world today. The lyrics center as a conversation about current events and the struggle between peace and strife, quite an insightful look into the thought process of this young artist.

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